![]() ![]() For example, the following image shows four bars:Įach measure is divided into 4 parts, because the time signature is 4/4, that is, divided into 4 clicks of the metronome: The bars are numbered with whole numbers (1, 2, 3, etc.). Sometimes we don’t quite understand the long list of quantization variations that are offered to us, especially if we are not familiar with music theory, and, therefore, here we are going to explain one by one.įirst of all, keep in mind that the name of the grid at each moment refers to the number of notes that you can write in each measure. However, are we making the most of the quantization? Let’s have a look at it. The process of quantizing results in notes being set on beats and on exact fractions of beats, providing a more beat-accurate timing of sounds. One of these tools is the quantizer, which transforms performed musical notes, which may have some imprecision due to expressive performance, to an underlying musical representation that eliminates the imprecision. But it is less and less the case having such powerful tools in our DAWs in order to apply an automatic human touch, so we can save time. ![]() I still do this from time to time for special main lines that I want to sound in a very specific way. ![]() Ultimately, I would slightly move some individual notes using the mouse until I had the results I was looking for. When I started using DAWs many years ago, and I recorded my MIDI lines using a musical keyboard or drum machine, I would just repeat the same take thousands of times until I had the best one. Then, let us give you some tips that will certainly improve your workflow when being creative with your tracks. Are you recording your own line of instruments with your MIDI controllers? Would you like to be able to quantize such recordings faster but also in a way that they sound more natural and human?
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